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This great information can certainly drawn you into brand new stage of crucial pondering. Post a Comment. Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.
Yamada shows how both became facile conduits for exporting and importing Japanese culture. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline.
Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a Ozu film was it popularly linked to Zen.
A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience.
Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. How do comedians recreate that atmosphere of intimacy in a roomful of strangers?
This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and socio-cultural distances between the performer and the audience. Learn the 25 rules of hosting that should never be broken. Having Zen and the Art of Stand-Up Comedy in your hand like finding the world in your arm, information in it is not ridiculous one particular.
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